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  • Recordings
    • Albums
    • Film Music
    • Podcasts
    • Video
    • Interviews
  • Concerts
    • Schedule
    • Past Concert Programs
    • 2 Minutes From Home
  • Apps
    • Decibel ScorePlayer
    • The Decibel Complete John Cage Variations ScorePlayer
    • Decibel Score Creator
  • Writing
    • Journal
    • Research and Scholarship
  • About
    • About Decibel
    • Artists
    • Decibel CV
    • Contact
    Still and Moving Lines - The Music of Alvin Lucier

    Still and Moving Lines – The Music of Alvin Lucier

    • January 1, 2010

    In 2010 Decibel prepared a series of works by American composer Alvin Lucier, performing over 17 works by the composer in Australia and abroad, releasing a CD of 4 works on USA label Pogus in 2013. They have a touring program available of the works.
    The works have been approached using Decibel’s score player technologies, and enable live performance of previously pre recorded elements such as sine tones. Papers on the work can be found in Decibel’s book Audible Designs.

    Works in Decibel's repertoire include

    Ever Present (2002) for flute, piano, alto saxophone and live electronics (on our CD)
    Hands (1994) for organ with one or more players (on our CD)
    Indian Summer (1993) for electronic cello
    In Memoriam Stuart Marshall (1993) for bass clarinet and pure wave oscillator
    Nothing is Real (Strawberry Fields Forever) (1990) for piano, amplified teapot, tape recorder and miniature sound system
    Music for Snare Drum, Pure Wave Oscillator, and One or More Reflective Surfaces (1990)
    Carbon Copies (1989) for saxophone, piano, percussion and environmental recordings (on our CD)
    Directions of Sounds from the Bridge (1978) sound installation and performance for stringed instrument, audio oscillator and sound-sensitive lights
    Still and Moving Lines of Silence in Families of Hyperbolas (1973-1974) for clarinet, violin, flute and pure wave oscillators (1984)
    Gentle Fire (1971) for any number of synthesizers
    The Duke of York (1971) for voices and synthesizers
    Quasimodo the Great Lover (1970) for relays of amplification systems
    I am sitting in a room (1970) for voice and electromagnetic tape
    Shelter (1967) for vibration pickups, amplification system and enclosed space (on our CD)

    You can find reviews of Decibel’s CD Still and Moving Lines in Vital Weekly, The Wire, New Music Box and other sites.

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    Artistic Director, Cat Hope info@decibelnewmusic.com
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